Songwriting

Blog: Back To Aus

I had someone reply to one of my instagram posts during my time abroad. They said “I’m so excited to read your travel blog about this trip” &, unfortunately for them, there won’t be one for this past trip to Australia. Why? Because this past trip to Australia was fairly pedestrian, as was the intent for it. I will however fill you in on the “why,” the “how,” the “what,” but not the “who,” for that is a band out of the 60s from The UK…It’s fine, I’ll just stop this here & leave. Anyway, we will be, in sorts, doing a small itty bitty, teeny weenie, type of a travel blog, but it won’t be structured in days & will lean more into the traditional blog format that I do here. Sound good? No? There’s an ‘x’ at the top of your screen, see yourself out I guess.

(If this is the tone I’ll be taking for this we are all in for a wild ride I fear.)

Prologue

Back in July I decided it was time to start recording music again. I had a could songs that I thought were ready to be produced but when I reached out to Jess, my guy was busy. I mean booked out til October busy, & great for him! Absolutely great for him, he’s doing exciting things that are so beyond deserved! So I turned to a few other producers that I knew of in town to get their rates & availability. Unfortunately, a lot of them were out of budget for me or just entirely unavailable, which, great, absolutely charge what you know you’re worth & know the people you typically work with are comfortable with paying. It ultimately didn’t work out for me though so I reached out to Leena & Max in Adelaide, South Australia, to see their thoughts. Max formerly worked in production at Atlantic in LA & has been the producing head of Songbird Society since their studio got up & running a couple of years back. I also know of several people who have worked with him & their music sounds great! Max let me know his mobile & in person rates & I had a wild hair come over me. What if I just flew to Australia to work with him in person? I looked at the cost of flights, which ended up being around $300 total for me thanks to credit card points & it was decided upon!

Initially the idea was to go in September. Evan & I were going to go to Brisbane to attend a music conference there that Max, Leena, & Emma were all planning to go to, but the timing ended up being rushed & the renovations of Songbird were running behind. We instead opted for October/November with Max calling to talk to us about doing a songwriting camp for Leena’s birthday at the start of the month. So we booked flights & loitered. That’s not true, we kept very busy, I even got back in the studio with Jess to work on more music as well. We had also talked about throwing an “American Style Halloween Party” (Halloween isn’t really a big thing in Australia apparently) at the newly renovated Songbird Society, but they had just wrapped a long string of obligations, including hosting a very successful songwriting camp themselves, so we decided against it.

Aussie, Aussie, Aussie, Oi, Oi, Oi

I was elated to be back in Australia. Two times in one year?! WHAAAA?! & it was spring, one of my favorite seasons! We flew from Nashville to LA, LA to Auckland, Auckland to Adelaide. We’d never flown Air New Zealand before, but it was lovely, truly lovely! We departed the states on the 26th & arrived the morning of the 28th. Sounds like a hella long span of time, but you have to remember the international dateline, so we’d technically left the late afternoon of the 27th from Adelaide’s perspective & arrived the morning of the next day. Our plans were immediately thrown a bit of a wrench as Leena had developed Rhinovirus & I was dealing with some mysterious sinus ailment, of which the antibiotics that I started on the 25th were not helping in the slightest. So it was either also viral or was entirely my allergies being a brat (less Charli XCX, more snotty child). Additionally both Max & Leena were naturally pretty run down from all of the amazing work they had been doing the last couple of weeks, & we were fairly worn down from traveling, so we opted to delay the start to our production for a couple of days.

October 28th-31st

Our trip started with an immediate visit to the South Australia Music Awards, where Leena & Max were up for the award of “Best Recording Studio” for Songbird Society. We attended the event, Max & Leena were gracious enough to get us tickets, & we ran into literally everyone we’d ever met in the South Australian music community. It was a fun night all in all, some great performances from some of the nominees & an exciting look into the South Australian music world.

The next handful of days were spent revisiting some old favorites; brekkie at Seven Grounds, walks through the Adelaide Park Lands, pastries from Against The Grain, groceries from Woolworths, a pass through the Adelaide Central Market, hangs, vibes, recovery, etc..

At one point we ventured into the city to Adelaide’s OzAsia Festival, a festival the celebrates the arts of different creators & cultures across Asia, to see a friend of the Hurrell’s, San Dragan, perform. Naturally a festival celebrating Asian arts also included a ton of food stalls offering anything from Satay Squid to Kimbop to Nasi Goreng to Bao to Lumpia to Saag Paneer. Naturally we took advantage of this. We were met here by Max & Leena’s friend Alex & made the rounds.

Over the course of our time there I had Takoyaki (one of the only ways I’ll still eat octopus, they’re too intelligent), a Hojicha Affogato complete with Red Bean Paste, Indonesian Fried Chicken battered in crushed up instant ramen & Korean Buldak, some of Evan’s Chicken Curry, & a Taro/Pandan Soft Serve topped with fresh Jackfruit, Grass Jelly, & Tapioca Boba. All in all, I was living my best life.

On Halloween Sophie & her fiancé were kind enough to invite us all over for a halloween game night, Ev & I went into the city to get some bangin’ sandos at Bottega Bandito before heading back to Bowden & the studio to try & piece together some last minute Halloween costumes. After rummaging through Max & Leena’s closets we came up with some actually fairly solid costumes for the four of us. I went as Milo Thatch from Disney’s Atlantis, Evan went as a gender bent Ellie Sattler (Laura Dern) from Jurassic Park, Leena went as the Portland Frog (if you know, you know), & Max was a Manic Pixie Dream Girl. We had a wonderful evening of food, friends, & games, responsibly distanced as to not get the other guests ill.

November 1st

The following day was a stunner. The weather was sitting in the high 70s with a soft warm spring breeze, so we went to the beach. Max stayed behind to work on a mix for a different client, so Leena, Evan, & I went to Henley. We got sandwiches, fish tacos, & coffee at Joe’s Henley Beach, but also happened upon an amazing brand of coconut water, Sip Coco. It would become Leena & my hyper fixation the duration of the trip. I was partial to the pineapple, the passionfruit, & the ginger, where as she was really into the lychee flavor. Sip Coco, if you’re reading this, please distribute to The US ASAP. Emma met us after lunch & we walked down onto the beach, found a spot to plop & finished out the afternoon chatting & basking in the sun.

South Australia has been experiencing a really bad blue-green algae bloom since the tail end of last summer, (shout out to climate change & industrial farming for that one), so it can actually be dangerous to go to the beach/get in the water at times. The day we went, & the reason we went down to the beach so readily, was that the bloom was not showing that many signs of activity. Typically when the water is foamy & hella murky, it is an indicator of the bloom. If you’re headed to the beach in South Aus, especially with sensitive skin or a sensitive respiratory system, be advised on the current state of this aquatic bush fire.

Max joined us later in the afternoon, he & I went for a swim reassured by the ‘shark alarm plane’ passing overhead several times with no audible warning. Then we all dried off, wrapped up, & went back to the studio to get ready for dinner.

I’m realizing that this day, Nov 1st, is definitely shaping up similar to my normal travel blogs, I did warn you we may dip our toes into that realm from time to time, but all in all it was a fun day to speak on, especially going into dinner.

It’s worth noting here, as I have several times in other blogs, that I have a running travel list that Evan & I share in my phone. It gets updated near constantly & is sectioned off by Continent, Country, State/Territory, City, & even Borough/Neighborhood. I had added a plethora of stops to the Adelaide portion of the list, all of which were corroborated by fellow foodie, Alex, a few days prior at OzAsia. Dinner was one of the picks from my list. Tonight’s as +82 Pocha, a Korean street food restaurant tucked under a skyscraper in the CBD (Central Business District).

In short. It smacks. Hard. We ordered a plethora of things to share, all of which was outstanding. We got Kimchi Mondu Dumplings, Kimchi Jjigae (one of my absolute favorite Korean comfort foods), a Honey Butter Korean Fried Chicken (IYKYK Honey Butter Chips), Bulgogi, their housemate Honey Lemon Soju, &, what has become my new obsession, Truffle Parmesan Tteokbokki. Heavenly.

November 2nd-6th

The next day Max & I started production on my song, I was finally feeling well enough. We mostly spent the day building out the track, I played more bass guitar than I ever have in my life, but what we ended up getting was really cool & I can’t wait to be able to share it with you all! Early next year, I promise ;)

We hit a bunch of cafes the following day including a return to Seven Grounds & a trip to My Kingdom For A Horse where we met up, once again with Emma. We also did a bit of errand running around town for the week to follow.

We hit up He Said She Said in their new Prospect location on the 4th before returning to the studio to spend the afternoon filling in guitar parts & cleaning up some bits of the track. I once again became more of a ‘multi-instrumentalist’ than I typically am on the songs I record with producers, but I really surprised myself with guitar, much like I had on bass two days prior.

I ended the evening with a horrendous migraine that sent me to bed early for a couple hours, but I was eventually drawn out by the smell of the Smoked Brisket Pho we had ordered from Ông Vietnamese Kitchen. Y’all. Y’all. Bars. No notes.

We made our way out of town a bit the following afternoon, eventually ending up on a small hike just off the summit of Mount Lofty. We saw a singular Kangaroo (unusual), had a time doing a bit of call & response with some Lorikeets, & saw the biggest parrot I’ve ever seen, a Black Cockatoo. The sunset & the view from up top was outstanding as well. Afterwards we struggled & failed to find a salad for dinner, ending up at their local Indian spot, Taste Of Bollywood, which was lovely!

It’s worth noting when you go to Adelaide that it is very difficult to find vegetables on a menu. Even a quick scroll through Uber Eats shows you Pizza, Pasta, Burgers, Sandwiches, Pizza, Pizza, Pasta, Fried Korean, Pasta, Burgers, Noodle-y Thai, Pizza, Pasta, Dumplings, Noodle-y Thai, Sandwiches, & on, & on. We were desperate for something green & wouldn’t unfortunately get that until the next day.

The next day we made our way to Ballaboosta, a Mediterranean/Middle Eastern restaurant that had some really solid food & vegetables aplenty! We shared orders of Cauliflower with Tahini, Batata Harra, & a big Mediterranean Salad. Then I got Malfoof & Evan got Shish Tawook. Additionally we ordered a whole half of their Toblerone Cheesecake to take away for late when Emma was coming by to brainstorm for her short film with us!

We ending our after by tracking vocals for the song. Leena vocal produced & we cleared out the live room where Ev & I had been sleeping to set up for the session.

All in all I ended up singing or making various sounds for probably six hours total. Even though that was the case, I wasn’t overly tired vocally, which thanks to Leena’s guidance, was a very nice relief!

Emma joined us around eight or nine & we spent the rest of the evening laughing away & trying to propose ideas for a specific segment of Emma’s short film that was to be shot the following weekend over a rather varied, but delicious, order from Sunny’s Pizza.

November 7th & 8th

Initially, as read above, the plan was to have a writing camp for Leena’s birthday, but the more time went on the more it fell apart. It definitely wasn’t from a lack of trying or planning, especially on Max’s behalf, it just ended up not being a workable thing for most people involved. So we opted out in hopes of doing it again at some point soon! Instead we set about a day of “Leena’s Favorite Things.”

Morning began with decorating the house with streamers, lights, balloons, & of course, a dirty taro latte from Seven Grounds. We then took an uber down to Glenelg, the main popular beach town in the area, in an attempt to have lunch at Uniqorn Eats, a restaurant specializing in rainbow foods. Unfortunately, Uniqorn Eats had a sign on their door saying that they wouldn’t be open until 3pm so we putzed around the town for a bit before returning….unfortunately again, Uniqorn Eats didn’t have an open kitchen until 5pm even once they’d opened………wild. So we had to pivot & ended up at Bottega Gelateria (bae) & Beach Burrito Company for Birria Burritos.

After lunch we hoped a car back into town for some time at the arcade, a few drinks, & a couple of rounds of mini golf at Holey Moley.

On the way back to the studio we stopped off at Plant 4 to pick up Leena’s ‘birthday cake’ which consisted of two large boxes of the most bangin’ vegan cinnamon rolls I’ve ever had from one of the food stalls there. They came complete with an extra box filled with extra icing for the rolls.

The next day was also a part of the birthday celebrations. When Leena was in ADHD decision paralysis about not knowing what she wanted to do for her birthday, I had asked her if she could do anything at all, what it would be. Her answer to that was “lay on the floor & be covered in puppies.” I took that as a cue & turned to the internet. What I found was a puppy yoga class happening literally five streets over from their house & the day after her birthday. Leena had taken it upon herself to text a bunch of her friends, asking if they wanted to join, almost all of them did so she ended up booking out both sessions. Max, Emma, Evan, Ellie (Vocal Lab), Leena, & I all attended the first session, which was about 30 minutes of yoga followed by 30 minutes sat on the floor playing with cocker spaniel puppies. Then we left Leena there, went & grabbed a few groceries, & headed back to the studio to work some background vocals on the song, do a bit of fine tuning, & a bit of final additions before we were to head off in the next couple of days.

The majority of the second group of friends who did puppy yoga were the women whom Leena had met in her “New To Adelaide” group when she had first moved in. They came over following the session & we all had some of the cinnamon rolls, sat around chatting, & eventually shifted to watching various videos on their projector.

At some point here, Evan let slip to Max that I had been looking for some bottle brush essential oils to obtain before departing Australia, as the blooming bottle brush smelled outstanding, so he took it upon himself to make some. He went out front to their tree, cut off a branch, some leaves, & a flower or two & set them in oil to diffuse…olive oil…

The sentiment was there, truly. I appreciate him taking it upon himself & trying. Genuinely I do. It was endearing. Essential oils are made of pressing the plant in question, then that is mixed with an oil like jojoba, not olive. I thanked him for trying, then told him that he could use it for cooking, a statement I have since redacted as bottle brush is fatally toxic to ingest as it is a member of the Eucalyptus family. At least the wood parts are, the flowers & leaves are actually used in traditional medicines & teas. The infused olive oil has since been discarded…I hope.

November 9th & 10th

We started our final full day in Adelaide with brunch at Mister Sunshine’s. Ev & I split the Breakfast Gnocchi & the Steak Sandwich. The gnocchi was definitely the stand out here. Afterwards we dipped back to the studio to start packing up all of our things & put down just a feeeeeew more things on the track that my brain had thought up overnight.

Dinner was a group favorite, Busan Baby. We once again rallied the troops & went in for a shared smorgasbord of ‘busan’ Korean food. Emma once again attended, as did Alex, but we also added Kaurset to our dining party! Together we devoured Bulgogi Bibimbap, Giant Chicken Katsu, Japchae, Tteok-bokki, Soy Garlic Korean Fried Chicken, Ban Chan, & Kimchi. After dinner we went back to Bowden & visited Seven Grounds’ sister restaurant, Lunar Landing, for dessert. I got a Genmaicha Latte (Genmaicha is my absolute favorite tea & I was beyond excited to have it in latte form), a Pandan/Coconut Tiramisu, & some form of Mango/Passionfruit Mousse filled shell that was in the shape of a mango.

We wrapped our evening with a group watch of SNL & a lovely evening of lovely people & their company.

We had a late morning flight. Evan & I got up, did a final bit of picking up, & then of course headed down to Seven Grounds for one last Dirty Taro Latte & one last Salted Caramel Vietnamese Cold Brew. We got to the airport around 9:30am with our flight to Auckland departing around 11:55. We made it through security, got a bit of breakfast then boarded our flight leaving behind a laidback work holiday, close friends, & the warmth & renewal of spring.

Requested Blog: Grown Ass Artists

I think I’m going to start doing these, I’ve definitely done a few unlabeled “requested blogs” in the past but I think this is going to be a thing, & I think I’m going to put up a submission form somewhere for people to send in their suggestions for what they would like to read me write about. That was a fun sentence to say by the way, read me write about. Anywho, our first official “requested blog” will be coming to us from Bryan Oliveira, who is a phenomenally talented designer that I will link in a button below! I want to also state that this blog will be more about what this request stirs in my brain than specifically answering & embellishing everything stated by Bryan.

Oliveira Portfolio

Their prompt for me was as follows: (write about) …How as artists, life keeps pulling us away from our art, & the older we get the more of a fight it becomes to carve out time to create, but that time created is what keeps us going & fed & our creativity sustained.

The statement in & of itself is incredibly profound & honest & a feeling I’m sure many artists such as ourselves feel deeply, especially as we age out of what the industry as decided to claim as ideal time for our success. As a now thirty-one year old still trying to make it in music, I define feel this, in fact it’s something that often keeps me up at night.

I remember distinctly being asked by a higher up in a massive company in the entertainment business how old I was. When I answered “twenty-seven (at the time)” his reply was to say “well you’ve still got a few more years that you can make it in, I guess.” This sentence rings through my brain at least twice a week, if not more. It seems, at least to all of us on the outside of major label/publishing deals, that turning thirty in Nashville or LA is a death sentence. It’s a “well you tried, time to sell your soul to an office job” simply because we lacked the connections, the funds, or whatever to be in the right rooms at the right time, completely devoid of whether or not we actually have the talent & drive to take it from there. The more time passes, the more the pressure is increased to ‘give up’ & ‘find a real job.’ As if art isn’t the thing that everyone on the planet consumes & actually remembers…

In the song “Nothing New” by Taylor Swift she sings the line “how can a person know everything at eighteen but nothing at twenty-two?” A line that she wrote when she turned twenty-two out of fear that the industry would do all it can to replace her as she aged, calling attention not only to the misogyny of it all, but also that the industry has this knack of signing people who are still children & claiming their most profound & impactful work when they still are lacking a fully formed frontal lobe.

I do recall it being a lot easier to find creative time & energy when I was younger though. Time & to-do lists tend to get in the way the more the years creep on, but what I can also tell you is that what I was creating was not nearly as deep nor was it an open & honest expression of who I was & am. The blessing of time & the lessons that come with it are that we gain insight & perspective. We learn & grow & become fully fledged humans with interests & passions that surprise us. We learn to stop hiding behind the walls of perception & feeling like we have to create in a certain style or pattern simply because the people we look up to did/do. We learn that true art is the expression of the individual & not creating something just because we feel like it’s the right more or it’s what’s commercially viable or trending. In all honesty, I wish more artists were signed around my age, selfishly of course, but also because I feel like most of my friends who are in their late 20s/early 30s actually have something to say & contribute, but no one is willing to take a chance on them because of something as trivial as age. Yes there are the rare exceptions; Sia, Chris Stapleton, Old Dominion, etc., but they are definitely that, the exceptions, not the rule unfortunately.

It saddens me that grown ass artists don’t seem to be given the time or resources that our younger compatriots are, because I think it wholly eliminates & diminishes an incredible talented group of people, their individual outlook on life, & their lived experiences. Maybe we as humans are more inclined to the “mess” of growing pains & the lessons there in but a lot of those of us who are old also have that lived experience & the benefit of weaving it into our art.

If you are a grown ass artist, with a fully formed frontal lobe, keep going. Don’t give up because the industry you’re in tells you to or your parents start asking about what other careers you might be interested in or society says one thing or another. If you are talented, genuinely talented, express that! Share it with the world. Someone will connect with it, someone will see the greatness, & it will spread like wildfire. I believe in you & wish you nothing short of the best.

Love Always,

-C

Blog: Just Another Late Night

On a chilly November Wednesday evening, back in 2017, gathered around my kitchen table with Evan Michael & Kate Cosentino was where “Just Another Late Night” was originally conceptualized. The title had been a note in my phone for even longer & for whatever reason the timing was right for this midweek write. Back in 2017 Kate, Evan, Kimi Most, & I used to do weekly Wednesday night writes. This song came out of one of those sessions as well as Kimi’s “Happy Birthday To Me," a song called “Dumb Drunk Self” that I still desperately hope Kate cuts, & innumerable other songs that we each have sitting on the shelf waiting for the timing to be right on their potential tracking. Given that she is not credited on this song, Kimi was obviously not a part of this particular week’s write for whatever reason so it became a collaboration between the three of us.

I remember writing down the title in my notes as almost exactly how it ended up “I need someone that will love me right, not just another late night.” To me the song sparks a memory from the early 2010s but for whatever reason I still hadn't found that “someone who would love me right.” Naturally it had been a while since any of the events in the memory had taken place but I still felt deeply attached to the idea & the song kind of poured out of us in the session.

From there the song became a staple in my set, I’ve been playing it in live settings ever since that night in 2017. I played it so much & so often that people who came to a lot of my sets began to know the words & I would get asked over & over when I planned to release it but for whatever reason it just kept getting pushed down the “to record” list. Cue 2020/2021.

I had just put out the acoustic mix of “Obliterated” & had gone in to record another song that is as of yet, still to be released. We wrapped the song & I felt I needed to put out something with a little more movement, enter “Just Another Late Night.” Going back in studio with Josh Gleave, we set out to finally bringing “Just Another Late Night” to life.

I wanted “Just Another Late Night” to feel almost like two separate songs because in the song, much like in life, we have moments of waining clarity. The verses act as the “quiet before the storm” that is each encounter the chorus brings. The verses are much more reserved allowing more space for the clock & hours to tick by in reflection. The chorus is cacophonous, it’s rambunctious & wild. It’s unhinged & without hesitation. Then we come to the bridge. The bridge to me is the “eye of the hurricane” it’s nothing but vocal & percussion that features a begging ultimatum from the narrator of the story. I wanted the song to reflect life, to have those moments of clarity that we all reflect on after & before the fact before we ultimately buy into the thing that’s destroying us one more time.

We’re now a week int the release of this song that we poured so much love & life into & I’m floored by the response I’ve had for it! Many blogs, playlists, websites, have all reached out asking to feature it. So many people have shared & as of this second we are sitting around 25,000 streams on Spotify!

I’d like to thank any & all of you who were a part of this song:

Evan Michael & Kate Cosentino for helping to write it!

Joshua Gleave for producing & dealing with my crazy artist ideas in addition to bass, keys, synth, & program instruments!

Lester Estelle Jr. for lending his mad drum skills!

Cole Phillips for crushing the guitar!

Jonathan Roye for mixing it so perfectly!

Mike Monseur for mastering!

&

OneRPM for distribution!

If you haven’t streamed or purchased “Just Another Late Night” I’ll drop the link to it here:

STREAM IT HERE!

As always, thank you for reading! Thank you for allowing me to do the art that I love & be the artist I am!

I’d also love to know your thoughts on the song & how it relates to you personally, so feel free to leave a comment below!

Much love to you all!

-C

Blog: Object Writing

I realized today that I never gave context to the “Object Writing” posts I’ve been making. I’m sure for a lot of you outside of the creative world & even for those within, their materialization has been bizarre. I’ve blindsided you with videos & blog posting that of course make no sense out of context, so please allow me to do some explaining!

This blog will once again contain a story about Leena Regan by the way!

Back in the summer with the soft launch of Leena & her husband Max’s Australian music school, The Songbird Society, Leena started doing artist & writer outreach. Part of that outreach included creating a group that would center around object writing. Object writing is a Berklee School of Music songwriting practice where you are given a random object & told to write a paragraph or so around it. This paragraph must include sensory details (sight, smell, taste, feel, sound) as well as somewhat of a short story it is all wrapped up in. This is a practice meant to be done daily to get the creative juices flowing. It forces you to give random objects context in your mind & create a narrative around them.

Fast forward six months to now. I’m a part of an artist accelerator at the moment that is forcing us to think of our brand & marketing efforts in new in interesting ways, this also translates, naturally, to content! I’d been sharing some of the object writing that I had been doing the last couple of months with Evan who suggested that some of them were good enough to share! I brought it up with my accelerator group & they loved the idea, especially since Instagram Reels & TikToks are such great discovery tools these days!

I thought & thought & thought about how I wanted to share these little snippets of writing I’d done; I thought about maybe just posting the script & reading over it, I thought about just making them blogs or even YouTube vids, but in the end I came back to a method one of my current favorite TikTok users utilizes!

The account in question, @ewistone, has a series of videos he calls “Beautiful Words that Describe Obscure Emotions.” In this series he posts a video that relates to the word in question, voice overs it, & has legible text scrolling along the way. I decided that was the format I wanted to take my inspiration from.

I picked the object writing prompt that I thought would be the easiest to film as my tester, Chapel, & set out to East Nashville to film my video. In hindsight I definitely should have done the voice over first so I knew how long to make the video, but I guess you live & learn.

It’s now been a month since I started the object writing videos & while they haven’t necessarily taken off in the manner I’d hoped they would, I’m still believing they’re going to be a vehicle for me to reach new fans & friends. I’ve now posted a total of four; Chapel, Biscuits, Track, & Teddy Bear. You can find them here, on this blog every Wednesday or on TikTok & Instagram Reels the same day!

As this is still a fairly fresh endeavor I’d love to know your thoughts! I’d love to know ways in which I can improve them, how you’d like them to show up, even any objects you want me to write about! I’d also love to know, honestly, how you feel about them! I apologize for the wonky friday blog schedule this past month as well, I’m still trying to figure out where the object writing fits into my weekly schedule & am still adapting!

Have the loveliest of weekends,

-C

Object Writing: Track

"One more lap" I tell myself, "just one more lap." My feet ache with each exhausting stride they beat into the asphalt, long tired out from the previous innumerable laps. My legs scream at me to stop, beg me for rest, but it is my will that over powers them.It's been far too long since I ran, far too long since I put rubber sole to track & rocketed my way around. My compromised hip sends signals of distress ringing throughout my person but I do my best to ignore its warnings, for it is the reason for my current struggle. If I hadn't of fallen, if I'd paid more attention maybe, just maybe, I wouldn't be in my current predicament, stuck trying to prove to myself & those around me that I can come back stronger that the sum of my falterings. Just. One. More. Lap. The battle between brain & brawn rages within me & thus far the war has leaned heavily in my brain's favor, but I can feel the shifting tides, I can feel the odds evening out & I know once they do there will be no coming back from it. In the meantime I just have to keep pushing on. Come on, just one more lap.

Blog: Song Scammers

I was reminded this week of an occurrence that happened to me as well as a few other writers I know a couple of months ago. Someone, it seems, has been targeting the songwriting community, a community notorious for having sooooooo much money……, & scamming us.

I received a message a few months ago over Instagram DM. It was a “father” requesting that I, a songwriter, write his son, Solomon, a song for his birthday. I asked for details; what was he looking for, what level of production, what artists he liked, what things he wanted included in the song, etc. Here are the details I was given:

-It was Solomon’s 6th birthday

-Solomon loves Spider-man & Cat-Boy

-Solomon’s best friend’s name is Jena

-Solomon’s dog is named Maxxy

-Solomon’s father likes to “swing him around the room” so he can pretend to be Spider-Man

-He has Cat-Boy pajamas that he runs around the house in

-Solomon’s favorite artists are Jack Harlow, Justin Bieber, & Ed Sheeran

These were all the details I was given to include in this “birthday song” & it was to be in the style of one of the listed artists above. His “father” had also stated that an acoustic demo of the song would be fine, just vocal & acoustic guitar or piano. He was also apparently offering $500 dollars for this song.

I recruited Evan to help me with the song, offering to split the fee with him & we sat down & wrote the damned thing. I had been communicating with the client back & forth regarding the pay & how it would be sent. We’d agreed to PayPal I believe instead of a direct deposit & we were going to do $200 upon completion of the lyrics & the remaining $300 for the finished song & file.

After completing the song I messaged him & told him I was sending over lyrics for his approval & once he signed off on them I’d & got paid I’d send the song over. He then tried to pull some story about how one of his assistants had over extended his account on PayPal so it’d be a week or two before he could send money that way so instead he wanted to send the money direct deposit. I told him I wasn’t comfortable sending my account info over text but would request a direct pay if he could send me his phone number attached to the account. This is when he stopped responding.

I waited a few days before I reached out again, asking if he still wanted the song. No response. I tried again a few days later. No response. I waited a week, again, nothing.

I eventually let it go until we were having game night one night via zoom with our friends, Leena & Max, who live in Australia. I brought up this strange occurrence & they both immediately went white.

Apparently this account, or several other accounts of the like, had been going around targeting songwriters, asking them to write a song with the exact above listed details, & then stealing money from them. How were they doing that? Well, instead of $500 they’d send you several thousand, over extending your account which they’d ask you to refund. They’d then claim somewhere, whether it was their bank or wherever that they never got the funds returned & it would pull an additional several thousand from your account. Apparently this occurrence was happening all over the songwriting worlds of Nashville & LA specifically amongst up & coming or unsigned writers who aren’t exactly rolling in dough.

The reason I bring this up & chose this as my blog topic this week was because I was once again reached out to by a “father” asking me to write a birthday song for his “son, Solomon.”

If you are a writer reading this I want you to heed my warning & report these people. We have a hard enough time getting paid by the avenues that are supposed to pay us, looking at you streaming services, & many of us jump at an opportunity to make easy money like this but it’s a trap.

I’m going to post the lyrics to “Solomon’s Song” below so it doesn’t feel completely wasted, keep in mind we wrote it with the intent of modifications which, naturally, it never received. Enjoy I guess haha.

SOLOMON’S SONG

V1:

Solly, I see it slipping by

How you grow up every night

Something’s older in your eyes

And I’m blessed to get to be there by your side

So take me catboy to the fray

Grab your mask & Maxxy & let’s play

On our grand adventure tell me how you’ll save the day

C:

So I’ll keep swinging you around like Spider-Man

Just as long as these two arms of mine can stand.

I’ll place you high upon my shoulders

Through the endless world before you.

I promise I’ll do all I can

Solomon

V2:

Solly, I can’t believe that

The last six years have come & passed,

I’ve tried my best to make them last

But time’s a gift that we don’t get back

C:

So I’ll keep swinging you around like Spider-Man

Just as long as these two arms of mine can stand.

I’ll place you high upon my shoulders

Through the endless world before you.

I promise I’ll do all I can

Solomon

B:

So take me catboy to the fray

Grab your jams & Jena & let’s play

What grand adventure will you take us on today?

C:

So I’ll keep swinging you around like Spider-Man

Just as long as these two arms of mine can stand.

I’ll place you high upon my shoulders

Through the endless world before you.

I promise I’ll do all I can

Solomon