Pop Country

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Release: When He Was Me

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I first heard When He Was Me about five years ago now. I believe it was 2018 but it very well could have been 2019. I had a session with Josh Gleave at his studio on music row. When I walked in Josh was wrapping up work on a demo for the song that Shay Mooney had just recently come in to lay down vocals on. He played me the song in whole since I was present & it immediately grabbed ahold of me. It was one of those songs that catches your breath from the first line & doesn’t let go until the final chord strikes. Time went on & I patiently waited for When He Was Me to make an appearance on a Dan + Shay album, but it never did. As soon as the track listing for the duo’s third album came out I & I saw that the song wasn’t among them I immediately texted Josh to find out if he could reach out to Shay to see if I could cut the song myself. Shay gave not only his blessing but also sent over a folder of about six other songs of which I chose two; When He Was Me & Something To Do (we’ll get to her at a later date). Then began the process.

Being an independent artist can make getting a big boy industry song cleared amongst the big boy music industry a bit of a daunting task. After a few months of my former manager not making any headway on securing the rights we parted ways (for a number of reasons outside of the song itself). The task then fell upon Evan & I, but mostly Evan who loves himself some admin work, to get the song cleared. Of which he went through multiple different sources to find the proper avenues to secure the song.

We ended up doing the recording of When He Was Me right before the pandemic hit but I found that the more I sat with the recording, the more I felt it was lacking something, specifically where my vocal performance was concerned, so once we had a dip in quarantine restrictions & covid numbers, I headed back in the studio with Josh & Greg Breal to do a different vocal take, which I much prefer to the one we initially had. We also added a few more sets of BGVs to the song & a bit of vocoder!

After the song was sent off to Jonathan Roye for mix & Mike Monseur for master it sat. For almost three years it sat. Why you may ask? Well this is one of those songs that I wanted to put out right. I wanted all of my ducks in a row & everything to go smoothly, & thus far it has! Additionally, remember how I said I was dealing with big industry things with clearing this song? Well, that was beyond true! Evan counted last night that it took 78 different emails to different people to get this song cleared. That’s not counting the direct messages, phone calls, intermediary texts to find contacts, etc. This song took this long to put out in part because of my status as an independent artist.

But alas, we’re here now! The song has been released! It is out in the world for you all to make your own & to listen to & share amongst your friends & family & in all honesty, I feel good about it. For once I’ve got a release going smoothly with more things to follow. For once I’m not at a place where I’m sick of the song by the time it’s been released & that feels good. I’m at peace with it & am ready to see what comes of it. I’ve released the art to you all to do with as you see fit. I’ve done my part in its execution & now it’s time to let it fly!

When He Was Me was written by Shay Mooney & Benjy Davis. It was produced by Josh Gleave & vocal produced by Greg Breal with drums by Lester Estelle Jr., bass/keys/programing by Josh Gleave, & acoustic/steel/electric/dobro by Devin Malone. It was released through Distrokid & promoted by Trend PR. A special thanks to all who helped this song along the way: Noreen, Patricia, Kendall, Ashley, Alison, Amanda, Ben, & Hunter. A special thanks to Evan for all of his incredible hard work & beautiful content creation & a shoutout to The Fox Bar & Cocktail Club for allowing us to use their venue for photos!

I’ll place a link to the song below though you’re more than welcome to search it on whatever your favorite streaming site may be!

Much Love As Always,

-C

Blog: Yeah, I Guess I'm A Red State Blueneck.

Earlier this week the social media platform Tik Tok shot another independent artist’s song up the charts premiering it at #1 in all of country music & #4 in all music charts on iTunes. This time, however, I had the privilege of knowing one of the writers, Nell Maynard. Nell is a frequent co-writer & friend of mine & I honestly couldn’t be happier for her & this major win! The song in question is called “Blueneck” performed by Chris Housman, written by Housman, Maynard, & Tommy Kratzert, & produced by Kratzert & Matt Geroux. If you haven’t hear it I’ll attach it below, definitely give it a listen:

Music video for Chris Housman's new country song "Blueneck" (2021). Listen to the TikTok star his latest original song here!https://www.tiktok.com/@chrishous...

The song, if you didn’t click the above link, details what it’s like being a liberal redneck, or as the term has been coined here, a blueneck & I think its success out the gate is no accident. You see there are a lot of us in this world & in this industry who love country music but don’t align with the often bigoted stereotype that comes along with it. I think when you tell someone you work, listen to, perform, or write country music there’s a certain assumption that comes up in their mind around your political beliefs or the way you view human rights issues when for the most part, especially amongst the younger country music industry itself, that narrative is false. We as liberal fans & creators of the genre have been mostly excluded from the narrative of country music in favor of party songs about trucks & beer or loud boasting right leaning artists so much so that the stigma remains regarding country music but dear lord is this a much needed breath of fresh air.

I grew up loving country music of the late 90s, 00s, & 10s (up to a point) where I found grounding & representation in the stories being told. At a certain point, that shifted. We went from heartbreak ballads & story songs to just straight up Yee Yee or songs without purpose. I often find it ironic when ‘country purists” say pop country is killing country music when in reality pop country is one of the few forms of country that is maintaining the heart of country music, which boils doing to telling an honest story. Within the last year especially it seems the gates of relatable storytelling are once again being blown wide open in favor of demographics that are typically not represented in country.

I think it is worth noting that Housman is an out, gay country artist (as is Nell). Hailing from Kansas, much like myself, Chris embodies the country lifestyle & legacy & is more than worthy of inclusion in this genre. However, I fear that much like Mickey Guyton, Chris will face adversity simply for being who he is. As much as it pains me to admit, country still has a lot of gate keepers in the industry & in the fan base lest be forget the attempted “cancellation” of Little Big Town’s “Girl Crush.” Housman’s story is one that so many living in rural America face, we’re often forced to blend in or fake who we are as a survival tactic or we’re forced to alter parts of ourselves simply to fit in. That’s precisely why this song debuted at #1. This song blew up because so many people out there, like myself, like Chris, like Nell, feel exactly like this song’s album cover; we are little dots of blue swimming in a sea of red.

Think I’m even the slightest bit wrong? Go read the comment section on the link I inserted. Go to Chris’s Tik Tok & read the comments on the video he posted for the song. Go look at his instagram story. There is an overwhelming amount of people who didn’t know how badly they needed this song to validate who they are, to show them that they’re not wrong, that they’re just as valid in country music as their redneck counterparts. Country music is changing, quickly. This is evidence & a half of that, just like Guyton’s “Black Like Me” or Maren’s “Better Than We Found It” show. I for one can’t wait to see the direction it’s heading & hope to be a active part of the change as well! Until then I guess I’m a red state blueneck.

Congrats to all involved in this song! I’ll post the lyrics below so you all can give them a read!

Grew up with cornfields in every direction That's where I learned all of my lessons About life and living without fences In the land of the free to have opinions If you gotta job, you oughta make a living George Straight or George Gay, there's no difference People need help and I think that we should listen Three chords and my truth is I'm a good ole boy with a bleeding heart Just a homegrown hick with a hybrid car I think y'all means all and I know we all Just wanna know that we belong There's a lot more color in the mix Whеn you're loud and proud out in the sticks I am what I am, you get what you gеt Yeah, I guess I'm a red state Blueneck My American dream is wide open spaces Plenty of room for us all to be safe in Yeah, that's a future that I'm chasing So I'm gonna go make it I'm a good ole boy with a bleeding heart Just a homegrown hick with a hybrid car I think y'all means all and I know we all Just wanna know that we belong There's a lot more color in the mix When you're loud and proud out in the sticks I am what I am, you get what you get Yeah, I guess I'm a red state Blueneck Yeah, I'm a red state Blueneck Can a country kid wanna see the glass ceiling shatter? Wanna see a world where Black Lives Matter Liberty and Justice for just some of us Ain't how the heartland brought me up I'm a good ole boy with a bleeding heart Just a homegrown hick with a hybrid car I think y'all means all and I know we all Just wanna know that we belong There's a lot more color in the mix When you're loud and proud out in the sticks I am what I am, you get what you get Yeah, I guess I'm a red state Blueneck Yeah, I'm a red state Blueneck Yeah, I'm a red state Blueneck

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