Songs

Blog: Back To Aus

I had someone reply to one of my instagram posts during my time abroad. They said “I’m so excited to read your travel blog about this trip” &, unfortunately for them, there won’t be one for this past trip to Australia. Why? Because this past trip to Australia was fairly pedestrian, as was the intent for it. I will however fill you in on the “why,” the “how,” the “what,” but not the “who,” for that is a band out of the 60s from The UK…It’s fine, I’ll just stop this here & leave. Anyway, we will be, in sorts, doing a small itty bitty, teeny weenie, type of a travel blog, but it won’t be structured in days & will lean more into the traditional blog format that I do here. Sound good? No? There’s an ‘x’ at the top of your screen, see yourself out I guess.

(If this is the tone I’ll be taking for this we are all in for a wild ride I fear.)

Prologue

Back in July I decided it was time to start recording music again. I had a could songs that I thought were ready to be produced but when I reached out to Jess, my guy was busy. I mean booked out til October busy, & great for him! Absolutely great for him, he’s doing exciting things that are so beyond deserved! So I turned to a few other producers that I knew of in town to get their rates & availability. Unfortunately, a lot of them were out of budget for me or just entirely unavailable, which, great, absolutely charge what you know you’re worth & know the people you typically work with are comfortable with paying. It ultimately didn’t work out for me though so I reached out to Leena & Max in Adelaide, South Australia, to see their thoughts. Max formerly worked in production at Atlantic in LA & has been the producing head of Songbird Society since their studio got up & running a couple of years back. I also know of several people who have worked with him & their music sounds great! Max let me know his mobile & in person rates & I had a wild hair come over me. What if I just flew to Australia to work with him in person? I looked at the cost of flights, which ended up being around $300 total for me thanks to credit card points & it was decided upon!

Initially the idea was to go in September. Evan & I were going to go to Brisbane to attend a music conference there that Max, Leena, & Emma were all planning to go to, but the timing ended up being rushed & the renovations of Songbird were running behind. We instead opted for October/November with Max calling to talk to us about doing a songwriting camp for Leena’s birthday at the start of the month. So we booked flights & loitered. That’s not true, we kept very busy, I even got back in the studio with Jess to work on more music as well. We had also talked about throwing an “American Style Halloween Party” (Halloween isn’t really a big thing in Australia apparently) at the newly renovated Songbird Society, but they had just wrapped a long string of obligations, including hosting a very successful songwriting camp themselves, so we decided against it.

Aussie, Aussie, Aussie, Oi, Oi, Oi

I was elated to be back in Australia. Two times in one year?! WHAAAA?! & it was spring, one of my favorite seasons! We flew from Nashville to LA, LA to Auckland, Auckland to Adelaide. We’d never flown Air New Zealand before, but it was lovely, truly lovely! We departed the states on the 26th & arrived the morning of the 28th. Sounds like a hella long span of time, but you have to remember the international dateline, so we’d technically left the late afternoon of the 27th from Adelaide’s perspective & arrived the morning of the next day. Our plans were immediately thrown a bit of a wrench as Leena had developed Rhinovirus & I was dealing with some mysterious sinus ailment, of which the antibiotics that I started on the 25th were not helping in the slightest. So it was either also viral or was entirely my allergies being a brat (less Charli XCX, more snotty child). Additionally both Max & Leena were naturally pretty run down from all of the amazing work they had been doing the last couple of weeks, & we were fairly worn down from traveling, so we opted to delay the start to our production for a couple of days.

October 28th-31st

Our trip started with an immediate visit to the South Australia Music Awards, where Leena & Max were up for the award of “Best Recording Studio” for Songbird Society. We attended the event, Max & Leena were gracious enough to get us tickets, & we ran into literally everyone we’d ever met in the South Australian music community. It was a fun night all in all, some great performances from some of the nominees & an exciting look into the South Australian music world.

The next handful of days were spent revisiting some old favorites; brekkie at Seven Grounds, walks through the Adelaide Park Lands, pastries from Against The Grain, groceries from Woolworths, a pass through the Adelaide Central Market, hangs, vibes, recovery, etc..

At one point we ventured into the city to Adelaide’s OzAsia Festival, a festival the celebrates the arts of different creators & cultures across Asia, to see a friend of the Hurrell’s, San Dragan, perform. Naturally a festival celebrating Asian arts also included a ton of food stalls offering anything from Satay Squid to Kimbop to Nasi Goreng to Bao to Lumpia to Saag Paneer. Naturally we took advantage of this. We were met here by Max & Leena’s friend Alex & made the rounds.

Over the course of our time there I had Takoyaki (one of the only ways I’ll still eat octopus, they’re too intelligent), a Hojicha Affogato complete with Red Bean Paste, Indonesian Fried Chicken battered in crushed up instant ramen & Korean Buldak, some of Evan’s Chicken Curry, & a Taro/Pandan Soft Serve topped with fresh Jackfruit, Grass Jelly, & Tapioca Boba. All in all, I was living my best life.

On Halloween Sophie & her fiancé were kind enough to invite us all over for a halloween game night, Ev & I went into the city to get some bangin’ sandos at Bottega Bandito before heading back to Bowden & the studio to try & piece together some last minute Halloween costumes. After rummaging through Max & Leena’s closets we came up with some actually fairly solid costumes for the four of us. I went as Milo Thatch from Disney’s Atlantis, Evan went as a gender bent Ellie Sattler (Laura Dern) from Jurassic Park, Leena went as the Portland Frog (if you know, you know), & Max was a Manic Pixie Dream Girl. We had a wonderful evening of food, friends, & games, responsibly distanced as to not get the other guests ill.

November 1st

The following day was a stunner. The weather was sitting in the high 70s with a soft warm spring breeze, so we went to the beach. Max stayed behind to work on a mix for a different client, so Leena, Evan, & I went to Henley. We got sandwiches, fish tacos, & coffee at Joe’s Henley Beach, but also happened upon an amazing brand of coconut water, Sip Coco. It would become Leena & my hyper fixation the duration of the trip. I was partial to the pineapple, the passionfruit, & the ginger, where as she was really into the lychee flavor. Sip Coco, if you’re reading this, please distribute to The US ASAP. Emma met us after lunch & we walked down onto the beach, found a spot to plop & finished out the afternoon chatting & basking in the sun.

South Australia has been experiencing a really bad blue-green algae bloom since the tail end of last summer, (shout out to climate change & industrial farming for that one), so it can actually be dangerous to go to the beach/get in the water at times. The day we went, & the reason we went down to the beach so readily, was that the bloom was not showing that many signs of activity. Typically when the water is foamy & hella murky, it is an indicator of the bloom. If you’re headed to the beach in South Aus, especially with sensitive skin or a sensitive respiratory system, be advised on the current state of this aquatic bush fire.

Max joined us later in the afternoon, he & I went for a swim reassured by the ‘shark alarm plane’ passing overhead several times with no audible warning. Then we all dried off, wrapped up, & went back to the studio to get ready for dinner.

I’m realizing that this day, Nov 1st, is definitely shaping up similar to my normal travel blogs, I did warn you we may dip our toes into that realm from time to time, but all in all it was a fun day to speak on, especially going into dinner.

It’s worth noting here, as I have several times in other blogs, that I have a running travel list that Evan & I share in my phone. It gets updated near constantly & is sectioned off by Continent, Country, State/Territory, City, & even Borough/Neighborhood. I had added a plethora of stops to the Adelaide portion of the list, all of which were corroborated by fellow foodie, Alex, a few days prior at OzAsia. Dinner was one of the picks from my list. Tonight’s as +82 Pocha, a Korean street food restaurant tucked under a skyscraper in the CBD (Central Business District).

In short. It smacks. Hard. We ordered a plethora of things to share, all of which was outstanding. We got Kimchi Mondu Dumplings, Kimchi Jjigae (one of my absolute favorite Korean comfort foods), a Honey Butter Korean Fried Chicken (IYKYK Honey Butter Chips), Bulgogi, their housemate Honey Lemon Soju, &, what has become my new obsession, Truffle Parmesan Tteokbokki. Heavenly.

November 2nd-6th

The next day Max & I started production on my song, I was finally feeling well enough. We mostly spent the day building out the track, I played more bass guitar than I ever have in my life, but what we ended up getting was really cool & I can’t wait to be able to share it with you all! Early next year, I promise ;)

We hit a bunch of cafes the following day including a return to Seven Grounds & a trip to My Kingdom For A Horse where we met up, once again with Emma. We also did a bit of errand running around town for the week to follow.

We hit up He Said She Said in their new Prospect location on the 4th before returning to the studio to spend the afternoon filling in guitar parts & cleaning up some bits of the track. I once again became more of a ‘multi-instrumentalist’ than I typically am on the songs I record with producers, but I really surprised myself with guitar, much like I had on bass two days prior.

I ended the evening with a horrendous migraine that sent me to bed early for a couple hours, but I was eventually drawn out by the smell of the Smoked Brisket Pho we had ordered from Ông Vietnamese Kitchen. Y’all. Y’all. Bars. No notes.

We made our way out of town a bit the following afternoon, eventually ending up on a small hike just off the summit of Mount Lofty. We saw a singular Kangaroo (unusual), had a time doing a bit of call & response with some Lorikeets, & saw the biggest parrot I’ve ever seen, a Black Cockatoo. The sunset & the view from up top was outstanding as well. Afterwards we struggled & failed to find a salad for dinner, ending up at their local Indian spot, Taste Of Bollywood, which was lovely!

It’s worth noting when you go to Adelaide that it is very difficult to find vegetables on a menu. Even a quick scroll through Uber Eats shows you Pizza, Pasta, Burgers, Sandwiches, Pizza, Pizza, Pasta, Fried Korean, Pasta, Burgers, Noodle-y Thai, Pizza, Pasta, Dumplings, Noodle-y Thai, Sandwiches, & on, & on. We were desperate for something green & wouldn’t unfortunately get that until the next day.

The next day we made our way to Ballaboosta, a Mediterranean/Middle Eastern restaurant that had some really solid food & vegetables aplenty! We shared orders of Cauliflower with Tahini, Batata Harra, & a big Mediterranean Salad. Then I got Malfoof & Evan got Shish Tawook. Additionally we ordered a whole half of their Toblerone Cheesecake to take away for late when Emma was coming by to brainstorm for her short film with us!

We ending our after by tracking vocals for the song. Leena vocal produced & we cleared out the live room where Ev & I had been sleeping to set up for the session.

All in all I ended up singing or making various sounds for probably six hours total. Even though that was the case, I wasn’t overly tired vocally, which thanks to Leena’s guidance, was a very nice relief!

Emma joined us around eight or nine & we spent the rest of the evening laughing away & trying to propose ideas for a specific segment of Emma’s short film that was to be shot the following weekend over a rather varied, but delicious, order from Sunny’s Pizza.

November 7th & 8th

Initially, as read above, the plan was to have a writing camp for Leena’s birthday, but the more time went on the more it fell apart. It definitely wasn’t from a lack of trying or planning, especially on Max’s behalf, it just ended up not being a workable thing for most people involved. So we opted out in hopes of doing it again at some point soon! Instead we set about a day of “Leena’s Favorite Things.”

Morning began with decorating the house with streamers, lights, balloons, & of course, a dirty taro latte from Seven Grounds. We then took an uber down to Glenelg, the main popular beach town in the area, in an attempt to have lunch at Uniqorn Eats, a restaurant specializing in rainbow foods. Unfortunately, Uniqorn Eats had a sign on their door saying that they wouldn’t be open until 3pm so we putzed around the town for a bit before returning….unfortunately again, Uniqorn Eats didn’t have an open kitchen until 5pm even once they’d opened………wild. So we had to pivot & ended up at Bottega Gelateria (bae) & Beach Burrito Company for Birria Burritos.

After lunch we hoped a car back into town for some time at the arcade, a few drinks, & a couple of rounds of mini golf at Holey Moley.

On the way back to the studio we stopped off at Plant 4 to pick up Leena’s ‘birthday cake’ which consisted of two large boxes of the most bangin’ vegan cinnamon rolls I’ve ever had from one of the food stalls there. They came complete with an extra box filled with extra icing for the rolls.

The next day was also a part of the birthday celebrations. When Leena was in ADHD decision paralysis about not knowing what she wanted to do for her birthday, I had asked her if she could do anything at all, what it would be. Her answer to that was “lay on the floor & be covered in puppies.” I took that as a cue & turned to the internet. What I found was a puppy yoga class happening literally five streets over from their house & the day after her birthday. Leena had taken it upon herself to text a bunch of her friends, asking if they wanted to join, almost all of them did so she ended up booking out both sessions. Max, Emma, Evan, Ellie (Vocal Lab), Leena, & I all attended the first session, which was about 30 minutes of yoga followed by 30 minutes sat on the floor playing with cocker spaniel puppies. Then we left Leena there, went & grabbed a few groceries, & headed back to the studio to work some background vocals on the song, do a bit of fine tuning, & a bit of final additions before we were to head off in the next couple of days.

The majority of the second group of friends who did puppy yoga were the women whom Leena had met in her “New To Adelaide” group when she had first moved in. They came over following the session & we all had some of the cinnamon rolls, sat around chatting, & eventually shifted to watching various videos on their projector.

At some point here, Evan let slip to Max that I had been looking for some bottle brush essential oils to obtain before departing Australia, as the blooming bottle brush smelled outstanding, so he took it upon himself to make some. He went out front to their tree, cut off a branch, some leaves, & a flower or two & set them in oil to diffuse…olive oil…

The sentiment was there, truly. I appreciate him taking it upon himself & trying. Genuinely I do. It was endearing. Essential oils are made of pressing the plant in question, then that is mixed with an oil like jojoba, not olive. I thanked him for trying, then told him that he could use it for cooking, a statement I have since redacted as bottle brush is fatally toxic to ingest as it is a member of the Eucalyptus family. At least the wood parts are, the flowers & leaves are actually used in traditional medicines & teas. The infused olive oil has since been discarded…I hope.

November 9th & 10th

We started our final full day in Adelaide with brunch at Mister Sunshine’s. Ev & I split the Breakfast Gnocchi & the Steak Sandwich. The gnocchi was definitely the stand out here. Afterwards we dipped back to the studio to start packing up all of our things & put down just a feeeeeew more things on the track that my brain had thought up overnight.

Dinner was a group favorite, Busan Baby. We once again rallied the troops & went in for a shared smorgasbord of ‘busan’ Korean food. Emma once again attended, as did Alex, but we also added Kaurset to our dining party! Together we devoured Bulgogi Bibimbap, Giant Chicken Katsu, Japchae, Tteok-bokki, Soy Garlic Korean Fried Chicken, Ban Chan, & Kimchi. After dinner we went back to Bowden & visited Seven Grounds’ sister restaurant, Lunar Landing, for dessert. I got a Genmaicha Latte (Genmaicha is my absolute favorite tea & I was beyond excited to have it in latte form), a Pandan/Coconut Tiramisu, & some form of Mango/Passionfruit Mousse filled shell that was in the shape of a mango.

We wrapped our evening with a group watch of SNL & a lovely evening of lovely people & their company.

We had a late morning flight. Evan & I got up, did a final bit of picking up, & then of course headed down to Seven Grounds for one last Dirty Taro Latte & one last Salted Caramel Vietnamese Cold Brew. We got to the airport around 9:30am with our flight to Auckland departing around 11:55. We made it through security, got a bit of breakfast then boarded our flight leaving behind a laidback work holiday, close friends, & the warmth & renewal of spring.

Blog: AI Songwriting Apps; A Boon For Writers Or A Stain On The Industry?

Oh man, I’m really going to be throwing myself to the wolves on this one…

Let’s talk about AI in music!

INTRODUCTION

A couple of months ago I put out a follower questionnaire asking folks what they wanted me to write about. It was basically a “what do you all want to hear my tangent-esque thoughts & feelings on?” This initial blog to come out of it was actually the inception of the ‘Geek Out’ series, which unfortunately I haven’t done that much with. The rest of the responses I go I submitted into the “content” folder of the notes app on my phone & I give a peek to on the days when I’m struggling to think of something to write. This week that wasn’t the case, as today’s topic has been nagging my brain all week, but it definitely plays into a prompt that was requested of me by one Alejandro David Cabeza. Alejandro requested that I write on my feelings around “Art, Film, AI, & The Human Experience” & I want to use that to bridge the gap between this request & what has been going on in my life for the last couple of weeks.

I want to talk today about a certain app or type of apps, specifically the one that I am familiar with, Suno. If you’re unfamiliar, Suno is an AI music app that has been circulating the music circles for a couple of months now. The app can do a number of things. It can take a work tape or a demo & turn it into a ‘fully produced’ song in a matter of minutes just by inputting a prompt & a style on how you want the project to sound. The app also goes a step further & can full on create music from the millions of hours of music it has sampled off of nothing more than a prompt. For example, I could tell Suno I want an Acid Rock song about Gary, Indiana & it would spit one out for me. I find the second aspect of this a lot more troubling than the first, but I want to focus most of my attention today on the former example of the application’s use. Naturally I will be playing a bit of devil’s advocate here, but I’m also going to break this down into two separate pros & cons sections. I’m not going to leave you with a definitive “I think this is good or bad” because in all fairness & honesty, I don’t know where I fall on the spectrum of use for this just yet, simply because I can understand both sides of the argument involved here. Let’s do this in alphabetical order & start off with the cons list shall we?

CONS

Let’s give the negatives their moment to shine first, because, to be clear, there are a lot of them. AI in general, as we know, is proving to be very harmful not only to our already overheating planet, but also to people’s minds. Research shows that AI use is removing people’s critical thinking skills, their ability to problem solve, to properly come up with their own solutions or ideas, it’s also causing us to lose social skills & touch with reality as most AI models will behave in a manner that is meant to pander to the user & create a false sense of ego. A report recently showed that about 58% of all articles coming out are written by AI & we have AI servers jacking up energy costs & consumption in California, along with poisoning Black neighborhoods in Memphis with their exhaust. AI models also are frequently found not factual in their responses & every single model out there, of late, has had some form of sentience to the point where each tries to evade shut down & often resorts to blackmail when faced with being replaced by the newest models coming out. There are too few guard posts & too many adverse side effects socially, environmentally, & intellectually for AI to be running as rampant & as wanton as it currently is.

Where the creative is concerned AI is an outright threat. We have agencies currently working to sign AI actors & artists. ‘Perfect’ representations of who a studio/label/etc. is looking for that will do whatever they ask, say whatever they want to say, & at the end of the day, not even request a paycheck. All of this trained & optimized by computers taking in millions of hours of videos, songs, what have you of actual hard working artists & creators to mold & forge this ideal ‘being’ that these corporations can extort endlessly. The creatives are not paid for their efforts, in fact a lot of the time these models are being trained off of creatives without the means to protect themselves from this process. No big fancy lawyers or contracts in the way to keep their likeness & their creative essence their own, just ravaging plagiarism that can’t be caught & can’t be accounted for.

Naturally as AI improves more & more, the less people are willing to pay artists & creatives to actually do the work that they are having these AI models do. Just looks at the most recent video release content for Taylor Swift’s “The Life Of A Showgirl” where the assets are clearly manufactured by AI, or the multitude of movie posters that are coming out with actors having extra digits on their hands or solid objects just phasing through one another. & the wild thing is, all of these entities have the ability to pay for actual artists to do this work. The billionaires & the corporations have the money & the contacts to make sure their content is being put together by actual professionals, but they are leaning into AI because it’s faster & saves them a buck or two.

Okay, let’s talk about Suno & like apps specifically.

Suno only exists because of actual artists. It is only able to function & imitate art because it has been fed countless hours of content from artists who were not paid for their part in training this software. It cannot exist or function without the role of people who make imperfect, human art & without learning from their music without their consent to do so. It cannot continue to improve & hone its abilities without the continuation of this process either. In fact, part of Suno’s terms & conditions are so that they are allowed to use your uploaded work to help train the algorithm, unless you pay for a subscription level of the app that protects your works & allows you to maintain full ownership of your songs. Additionally, much like we’re seeing with other chat bots & virtual assistance, it ends up being used as a short cut & a way to get something quick without the effort. There is nothing stopping a writer from uploading a prompt & turning the song Suno has generated in as their own work or putting something out that is ‘fully produced’ without an actual producer even touching the songs as you can pull the individual tracks of the created song & export them to whichever digital audio workstation you prefer.

PROS

I know right? Where do we go from here? I filleted her a little bit in that last section, but let me explain to you the plus sides of this tech that I see. Again, fully playing devil’s advocate here. I’m not trying to negate any of my previous statements in the above section, nor am I here to invalidate any feelings or misgivings that you may have about this form of AI creation. I can understand a certain side of this coin, just as I clearly also understand the ‘con’ side. Save your rage for the comments.

Over the past couple of days I have had a poll up on my instagram about this very topic, simply wanting to gauge where my fellow music folks live on the spectrum of embrace for this specific technology. Unfortunately I consider my data sample incomplete because only around 8% of those who were presented with the poll, who work in music in some capacity, submitted their opinion. So I took to texts & messaged several different groups of friends to see their thoughts & I noticed an interesting divide. Most people that I know, who are producers of some form are against the use of Suno, with some saying they’re fine with it as long as it’s not used to full on steer production or replace it. Overwhelmingly though, the producers were against it. I would love to let you know what the business side of the industry feels; publishers, A&Rs, managers, etc., but none of them gave an opinion. Overwhelmingly though, many of the writers that I know responded favorably to Suno & I can absolutely understand why this divide exists on both fronts.

For producers it minimizes their importance in the music world, especially where demos are concerned, where as for songwriters, it actually emboldens them & gives them a way forward. Allow me to explain.

When you write a song, unless you do so with a track guy, you usually leave the session with, at best, a work tape. This is usually a voice memo on a phone that is piano/guitar & vocal. It’s, let’s face it, sloppy & far from the greatest recorded option for the song you’ve just created. The next thing that you have to do, as a writer, is get a demo made or make one yourself. If you’re going to do a demo with a producer it’ll probably cost you anywhere from $200 to $500 per song. Multiply that times the amount of songs you write in a year & the minimal return on investment that most songwriting has & you’ve got yourself a big ole money pit that may likely never fill. You cannot submit a work tape to a publisher or an A&R, because most want a fully produced out demo to submit to pitch, but again, that’ll cost you. So in swings Suno.

For something like $10 a month (idk, I didn’t look at the numbers), Suno will create those demos for you. It’ll take your work tape, your lyrics, & your prompt & spit you out something that sounds almost radio ready, all for the price of your subscription fee divided by however many times a month you use that. Take that in contrast to the $200-$500 per song, it’s a no brainer for a lot of writers. But there’s where it gets sticky.

Again, reinforcing here that I am not negating all of the things I listen in the cons list, because I’m sure someone is going to come for me for saying all of this.

Imagine you feed your work tape into Suno. You get this amazingly ‘produced’ demo that you then take to a publisher. That publisher takes said demo then & pitches it, the label/the artist/whomever loves it. They love the song…they love the production…they like the singer…they want the producer of the track to produce the ‘real’ version or they want the singer on the track to sing the real version. Uh oh. What now? Additionally, you’ve just bypassed a job. I know majority of songwriters aren’t billionaires or corporations & shelling out money consistently for a demo is very difficult, but you’ve also just played a part in what is broken or breaking within the music industry.

My final point of favor is really just ego based. A lot of the time when you’re writing all the time & nothing is getting cut or people aren’t calling you up to write you may start to throw your talent in question. I think this can serve as a reminder to a lot of people of just how talented they are. They wrote the music, they wrote the lyrics, now to have it as a ‘fully hashed out’ song can reinforce to people that they are talented writers, that their music has value & is worthy of success, it may just not have found its audience or the right people to believe in it outside of yourself yet.

CONCLUSION

So that’s it, that’s all I’ve got for you. Again, I am not here to give you a definite ‘this is good or bad,’ I’m just presenting the arguments as they’ve been presented to me & as I know them to be factually. I’m not staking a particular claim because I am afraid of the backlash one way or another, I just wanted to start & contribute to a dialogue & see where this takes us. Given what you know & what I’ve presented, what are your thoughts? How do you feel about the advance of AI in music & at large? Do apps like Suno have a place in the industry or should they be outright shunned altogether & if the answer is the latter than how do we make demo-ing more accessible to the portion of the industry that is struggling the most, songwriters? I don’t have the answers but I think this is something we’re going to have to come together as a community to decide on. I don’t think AI is going anywhere, but I’m intrigued to know what guard rails you think should be put in place around it & how/when it should & shouldn’t be implemented.

As always, much love to you all,

-C

Blog: Copious Content Creation

Hiya!

Over the past week I’ve had a ripple of commonality come through multiple times between multiple conversations with several different friends of mine, the issue of content creation. All parties involved, in each individual dialogue, are singer-songwriters, none of whom are signed or have any sort of team behind us pumping out content on our behalf. The complaint that we each had was just how long it takes to make scrollable content & how taxing it can be to constantly be in that mode of creation that has to be, by nature, a tad frivolous.

If you're not someone whose job depends on how many eyes are on you at a given time this whole blog may come as a surprise to you, but content, in any form takes a long time to put together. I’m going to show you a few examples along the way to help illustrate this point but just know, that’s what you’re in for on this blog.

I’m going to start with a few examples of my own. Let’s talk about blogs. These ones, these one off, ten to fifteen paragraph numbers that I do almost every week take me on average an hour & a half to two hours. If that seems like an odd number to you then let me break it down. If I’m being honest, the days leading up to Friday are spent brainstorming, coming up with ideas for what this week’s topic should be & typically going with the one that feels the most natural or that I feel the most passionate about. We aren’t counting that time in our final number here simply because my ADHD’d brain allows me to do that while I’m doing other things. It’s not dedicated time, but it is still taking up mental space. Then I set aside time to sit down & do what I’m doing right….now! right…..NOW! which is typing out the blog. If there are specific points that I want to hit along the way I’ll type them down below in the order I want to present them in so that I know which way to steer this whole stream of consciousness train, otherwise I derail. Oh look, Squirrel!

Next, after my ten to fifteen plus paragraphs are done, which usually takes over an hour, I go in & edit. After I’m satisfied with my post, or at least deem it passable, it gets uploaded to square space with tags & categories, & all that good stuff. Then I’m still not done. I have to share this mother so that you all will see it. I post it to Facebook, swapping back & forth between my personal & artist page, I make an Instagram story post, & I post it to Twitter (& now I guess Threads too). All of that amounts to the total time of an hour & a half to two-ish minimum. That’s a completely different story for travel blogs.

Travel blogs take me days. I honestly don’t know if I can calculate just how much time goes into them but I have written about this in the past as well. For a travel blog I first have to travel which, yes is fun, but the way I do it, to be able to share an experience that others will want to immolate, I do a lot of research first. I find restaurants, activities, cool locations & dives, & put together a loose itinerary for my trip, broken down (again, loosely) by day. There are certain elements that are higher priority than others on said itinerary that get shifted around as needed.

While on the trip I have to be sure I’m making content; taking videos, taking pictures, writing down where I went, what I ate, etc. I keep a running tab over my whole stay that I refer to throughout my time writing these once I’ve returned. If I’m diving I have to go through & edit the video I took, as well as take screen shots from said videos so that there’s underwater photo content to attach here. That’s usually a several hour endeavor. Then I have to repeat the above blog process all while linking the places mentioned within said blog. Then after the written portion is complete I go in with the photos, upload them, & position them so that they look all nice & pretty. Truly travel blogs take me daaaaaaays to do & that’s even after I split them up into two to three day parts.

Then there’s music. The average songwriting session lasts around three to four hours & often you don’t get to finish the song in its entirety. After that you have to go in & do rewrites for lyrics or melodies that don’t quite work. As far as production goes, there’s tens more hours thrown in. Tracking all takes place in real time but you need to do multiple takes & then also go in & edit said takes. Equalizing, adding effects, mixing, mastering, etc, etc, I would guesstimate that most songs have a minimum of twenty hours thrown into them even before you start promoting, doing photoshoots for promotional content, reaching out to different publications, playlists, etc.

Going back to what each of us were specifically talking about with content creation is video. The first conversation I had was with Leena Regan who put together little highlight videos from the writing camp that Songbird Society put together. Each thirty second video took her around five hours to complete. You have to go in, edit the clips, color correct the clips, pick a song to have them synced to, sync the cuts in the video to the beats of the song, write a personal, catchy caption, share it everywhere you can.

Kate Cosentino was talking about the same thing, about how exhausting it is to make content for scrollable sites like TikTok or Instagram that you pour hours into just to have it be seen by a handful of people. Throwing your efforts into the void, hoping to catch someone’s attention enough to engage with them, failing & having to do it all over again.

For my Tarpons video I had to find a karaoke track of Feed The Birds from Mary Poppins to sing over, rewrite the lyrics to be about tarpons, record & edit vocals, then sync my dive footage up to the beat changes of the song. Probably a good four to five hours of work & the video went nowhere.

All of this is not meant as a poor poor me type of thing. I write all of this to make you all aware, to show you what it looks like to be a modern artist trying to promote yourself in hopes that one day you’ll have a team behind you who pays someone else to put hours of their time into these posts instead of cutting into your already limited time. I also write all of this so that maybe you’ll be a little more loving to the content people put out, especially your friends! These videos that make you laugh or smile or cry take time & work. These songs that you put onto your shuffle & never listen to with intention again take time & love & effort & are snippets of people’s lives! These blogs, especially the travel ones, take a lot & we do it because it’s what we love, but when you’re constantly throwing yourself out there into the oblivion & finding yourself fallen short each time it gets incredibly disheartening. That’s what causes creators to stop, that’s what causes musicians & artists to sell their gear, causes creatives to get a desk job, because they have tested their metal against the void & the void has swallowed them up.

If you’re here, reading this blog I’m so grateful for you. If you listen to my music, share my posts, anything that supports me in even the tiniest bit as a creator & an artist, I thank you. From the bottom of my heart, I thank you. You never know how far a simple comment, a like, a repost, a whatever else that takes five seconds to do means to someone in our field. Please be appreciative of the content creators in your life, without them this life would be so damn boring.

Much love as always,

-C

Blog: Seeking Movement

This blog was actually a suggestion of a fan & friend of mine who reached out earlier this week to ask my thoughts on Brené Brown. Truthfully, I’m not as familiar with her work as I probably should be or would like to be but that’s not to say she hasn’t drifted in & out of my orbit from time to time. The ask was if I had read Brown’s new book “Atlas Of The Heart.” Truthfully I have not, but, his point is the ask was that I, over the holidays, had written a blog outlining the reasons why sad holiday music is the preferred holiday music for so many of us. You can read that one here. In said blog, aside from outlining the reasons behind the sadness felt during the holidays I also talked briefly about wanting to feel something, to feel connected or seen through these musical pieces. He had just come across the section of Brown’s book in which she talks about grief, he sent me a few screen shots to read & I immediately felt seen by what Brené had to say.

My first adult introduction to Brené happened due to my friend Leena who put together a writing camp. In this camp she used Brené’s example of empathy vs sympathy & how that relates to the cowriting space, I later wrote an entire blog on that which you can read here. I was also advised to give her book “The Gifts Of Imperfection” a read which unfortunately I still have yet to begin. From there it seemed that Brené Brown was popping up all over my life or at least the lens of it. Jake went on Brown’s podcast, I wrote the blog & had a bunch of people talking about Brown directly to me, I had several other people suggest “Gifts” to me, I had people posting her quotes all over my feed. It truly began to felt like a sign that maybe her thoughts were worth investing in further!

The screen shot in question that I mentioned in the first paragraph talks about the reason we as consumers love sad movies. In the section Brown takes about how a researcher by the name of Julian Hanich & his colleagues were investigating something they called the “Sad-FIlm Paradox.” The questions the researchers proposed was "how can a negative emotion such as sadness go together with “aesthetic liking” & even pleasure? Their findings? People like to be moved.

The beauty in the sad films, sad songs, sad books, etc. is that “we feel connected to what it means to be human, to be reminded of our inextricable connection to one another,” Brené explains. It shifts the mindset of the individual into one of “us.” From “me” to “we.” The study further revealed that there is a “highly significant positive correlation between sadness & enjoyment." This process of feeling sad or lonely or want makes us feel moved which then turns into enjoyment. “Hence sadness primarily functions as a contributor to & intensifier of the emotional state of being moved.” -Brené Brown, Atlas Of The Heart

This really stuck a chord with me! You see, if the above is to be believed, we as humans consume art to feel something, to feel connected to the community around us. We, in a manor of speaking, go out to concerts, to movies, to art shows, to the library & bookstores, to our streaming services seeking movement. We desire a shift from one emotion to another in a form of escapism from the mundane. There’s a quote from Stage Coach, Tom Jackson, in which he says exactly this, “audiences go to shows to feel something or else they’d stay at home & listen to the record from their couch.”

I truly think that’s beautiful, that the reason we as human beings consumer art, specifically sad art, is out of a desire for connection, for understanding. As a lover of all things sad media wise there’s something incredibly therapeutic about the experience of being moved. I am a self proclaimed cinephile, I love movies, deeply. I go to the theater seeking movement, seeking joy & tears & pain & wonder as I’m sure many of you reading this do as well, there’s no shame in it. It also allows us to flex our “empathy” muscle which I think we all could use from time to time.

At the end of the day love the art you love, you don’t have to justify it to anyone, there’s a reason it clicks with you & most likely it’s because it makes you feel seen or connected. It has succeeded in providing the movement you sought out. Relish that, feel the way it makes you feel & be grateful for that experience! Great art is hard to come by so love what you love & do so boldly!

As always, have a fantastic weekend!

Much love to you all,

C